Joe Cartwright: A Proponent of Kansas City Jazz

Joe Cartwright is a celebrated pianist based in Mission, Kansas, known for his significant contributions to the Kansas City jazz tradition. A graduate of the UMKC Conservatory of Music, Joe has devoted his career to performing, preserving, and promoting the sound that defines Kansas City.

Joe’s musical journey includes his role as musical director for the critically acclaimed NPR radio show 12th Street Jump.

Through this work, he brought the heritage of Kansas City jazz to listeners across the country, offering a blend of history, humor, and world‑class musicianship.

Beyond radio, Joe is an active performer and recording artist.

His appearances at venues throughout the region and beyond showcase a style shaped by technical mastery, emotional depth, and a deep respect for the tradition he represents. Audiences know his performances for their clarity, warmth, and the unmistakable Kansas City spirit that runs through every note.

A black and white photo of a man sitting at a piano with a woman standing behind him in a room with large windows.

Joe also serves as the music director for Unity Village Chapel in Unity Village, Missouri.

This role highlights his versatility and his commitment to using music as a source of connection, community, and spiritual enrichment.

Throughout his career, Joe Cartwright has remained a dedicated advocate for jazz.

His work has strengthened the local music scene, supported emerging artists, and helped preserve the legacy of Kansas City jazz for future generations. His influence continues to shape the cultural landscape of the region, ensuring that the sound of Kansas City remains vibrant, relevant, and deeply rooted in its history.

FIRST TWO ALBUMS
(1997-1998)

Musa Nova (1997): This album showcases Joe’s versatility and deep understanding of jazz, blending traditional jazz elements with Brazilian influences. The tracks feature intricate piano work, rhythmic complexity, and a vibrant, lively feel that captures the essence of Brazilian jazz.

La Luna Negra (1998): This album highlights Joe’s skill in both hard bop and Latin jazz. It features lush, romantic tunes with Brazilian and Afro-Cuban influences. The instrumentation includes piano, bass, drums, and percussion, creating a rich, textured sound that is both sophisticated and accessible.

An older man with gray hair and a beard, wearing a black suit, playing a grand piano on a stage with purple lighting and dark purple curtains.

NEXT THREE ALBUMS
(2004-2007)

Soul Eyes (2004): This live album features Joe’s interpretations of contemporary jazz compositions in a piano trio setting. It includes a mix of original pieces and modern jazz standards, showcasing his ability to blend traditional jazz elements with a fresh, innovative approach. The album is known for its sophisticated arrangements and Joe’s expressive piano playing.

Best of KC Jazz Vol 1 & 2 (2005, 2007): Recorded live at several venues in Kansas City, Mo., each album features the top area jazz instrumentalists and vocalists performing jazz classics backed by the Joe Cartwright Trio, highlighting the ensemble spontaneity and interaction with the audience. The live setting adds an extra layer of excitement and authenticity to the music.

A person playing a grand piano with a focus on the keys, while another person looks on.

Meet the Joe Cartwright Latin Jazz Quartet

Joe Cartwright piano Steve Rigazzi bass Doug Auwarter drums Gary Helm percussion

Jazz Up Your Next Event

Bring the spirit of Kansas City jazz to your gathering with a performance that blends sophistication, warmth, and world‑class musicianship. Joe creates an atmosphere your guests will remember long after the final note.